"This perfectly captures the dread of hanging out with dangerously stupid scumbags in the 2000s"
"This like many other of Connor’s works feels mathematically engineered to elicit dread from anyone raised in the suburban Midwest from 2001-2012"
"The thing that's truly remarkable about this to me, is that it 100% genuinely feels like it was made in 2009."
"The way the stink of defeat hangs over these guys is absolutely brutal. You just know from the very first frame they're not going to make an album. They're not going to make a goddamn thing."
"Citizen Kane for guys who got caught by their stepdad hitting the gravity bong in the shed"
"This makes me not miss getting stoned with friends from high school I thought I did miss but now remember I don’t"
"Nostalgia antidote."
There's just this collective moan of recognition at what it was like to be a fucking loser in 2009. Luckily I only skirted this kind of existence for a short bit, but I knew people like the people in this movie, and oh my god. It reminds me of the writing advice that a true transcription of spoken dialogue would be unreadable, that you have to find ways to make it into a heightened version of natural dialogue that actually *feels* more realistic than a transcription of an actual conversation. It's horrifying, and the laughs it pulled from me felt like electric shocks.
That and Joe Pera Talks With You are probably my top two tv/movie finds this year.